Level and center frequency of the singer's formant.

نویسنده

  • J Sundberg
چکیده

The "singer's formant" is a prominent spectrum envelope peak near 3 kHz, typically found in voiced sounds produced by classical operatic singers. According to previous research, it is mainly a resonatory phenomenon produced by a clustering of formants 3, 4, and 5. Its level relative to the first formant peak varies depending on vowel, vocal loudness, and other factors. Its dependence on vowel formant frequencies is examined. Applying the acoustic theory of voice production, the level difference between the first and third formant is calulated for some standard vowels. The difference between observed and calculated levels is determined for various voices. It is found to vary considerably more between vowels sung by professional singers than by untrained voices. The center frequency of the singer's formant as determined from long-term spectrum analysis of commercial recordings is found to increase slightly with the pitch range of the voice classification.

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

Perceptual significance of the center frequency of singer's formant

The singer's formant has been found to be an important acoustic characteristic of professional operatic altos, tenors, baritones and basses, while it seems unclear whether or not sopranos possess it. According to Dmitriev & Kiselev (1 979) the JFequencies of the "high singing formant" increases @om lower voices to higher voices. By means of a listening test with synthesised vowel stimuli we exa...

متن کامل

Acoustic comparison of voice use in solo and choir singing.

An experiment was carried out in which eight bass/baritone singers were recorded while singing in both choral and solo modes. Together with their own voice, they heard the sound of the rest of the choir and a piano accompaniment, respectively. The recordings were analyzed in several ways, including computation of long-time-average spectra for each passage, analysis of the sound levels in the fr...

متن کامل

Long-term-average spectrum analysis of phonatory effects of noise and filtered auditory feedback

Using long-term-spectrum (LTAS) analysis of fluent speech, the effects of speaking in noise and of speaking with differently filtered auditory feedback as well as of voluntarily changing vocal intensity are analyzed in nine male adult singers and nonsingers. Three values in the LTAS are analyzed: the level of the main pedk near 500 HZ, of a secondary peak near 2000 Hz and at the average fundame...

متن کامل

Effects of vocal training on the acoustic parameters of the singing voice.

Vocal training (VT) has, in part, been associated with the distinctions in the physiological, acoustic, and perceptual parameters found in singers' voices versus the voices of nonsingers. This study provides information on the changes in the singing voice as a function of VT over time. Fourteen college voice majors (12 females and 2 males; age range, 17-20 years) were recorded while singing, on...

متن کامل

The Singer's Formant and Speaker's Ring Resonance: A Long-Term Average Spectrum Analysis

OBJECTIVES We previously showed that a trained tenor's voice has the conventional singer's formant at the region of 3 kHz and another energy peak at 8-9 kHz. Singers in other operatic voice ranges are assumed to have the same peak in their singing and speaking voice. However, to date, no specific measurement of this has been made. METHODS Tenors, baritones, sopranos and mezzo sopranos were ch...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

عنوان ژورنال:
  • Journal of voice : official journal of the Voice Foundation

دوره 15 2  شماره 

صفحات  -

تاریخ انتشار 2001